D_a_m_y_s_t

Je vais voir je vais la retourner a Asus il ont une garantit 3 ans et on verra bien .

Ouais pt que toi tu change le système de refroidissement mais pour une utilisation normal dans un pc ma carte devrais pas être morte.

Justement jai un 8800gtx de asus morte dans mon garde-robe pis sa runnait dans un antec 9hundred bien ventiler

haha

PC ou mac via firewire Includes drivers for Mac & PC

Mon choix 829$$ Overview The MOTU 828mk3 is a FireWire interface, providing 28 inputs and 30 outputs, including 10 channels of analog recording and playback, combined with 16 channels of ADAT digital I/O, stereo S/PDIF and TOSLink I/O, and on-board SMPTE synchronization. The 828mk3's two mic/line/instrument inputs have preamplified sends that allow you to insert your favorite outboard effects before the signal goes digital. The real show-stopper here is the built-in digital mixing and effects with reverb, two compressors (including a modeled LA-2A), and British-style EQ on-board the 828mk3. MOTU 828mk3 at a Glance: * I/O * Effects * Overload protection * Digitally controlled analog input trim * CueMix FX software * Synchronization * Expansion, Drivers and AudioDesk I/O The 828mk3 provides 28 inputs and 30 outputs in a single rack-space form factor. All I/O is routed to an on-board 16-bus digital mixer driven by hardware-based DSP with 32-bit floating point precision. The mixer allows users to apply no-latency effects processing to inputs, outputs or busses directly in the 828mk3 hardware, independent of the computer. Effects can even be applied when the 828mk3 is operating stand-alone (without a computer) as a complete rack-mounted mixer. Input signals to the computer can be recorded wet, dry, or dry with a wet monitor mix (for musicians during recording, for example). Eight balanced (TRS) 24-bit analog inputs and outputs, as well as two XLR main outs and the two preamp inputs, can operate at sample rates up to 192 kHz (a total of ten analog inputs and outputs). Two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/ MUX optical I/O at 96 kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate independently, allowing users to mix and match any optical formats. RCA S/PDIF connectors also supply independent stereo digital I/O. Each mic input has a corresponding rear panel send that allows users to insert outboard gear before the signal goes digital. Any input can be used as a return. Effects Effects include reverb, parametric EQ and compression/limiting. The 828mk3's Classic Reverb provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60-seconds. Two forms of compression are supplied: a standard compressor with conventional threshold/ratio/ attack/release/gain controls and the Leveler, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control. Finally, the EQ section provides 7- band parametric EQ modeled after British analog console EQ's, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36dB. The 828mk3's flexible effects architecture allows users to apply EQ and compression on every input and output (a total of 58 channels), with enough DSP resources for at least one band of parametric EQ and compression on every channel at 48 kHz. However, DSP resources are allocated dynamically and a DSP meter allows users to keep tabs on the 828mk3's processing resources. Each input, output and mix bus provides a send to the Classic Reverb processor, which then feeds reverb returns to mix buses and outputs, with a selectable split point between them to prevent send/return feedback loops. Overload protection Individual 48V phantom power and 20 dB pad switches are supplied for each of two front-panel mic/guitar combo jacks, which are both equipped with preamps. Both inputs also now include a switch that toggles between the low-impedance XLR mic input and the true (high- impedance) quarter-inch guitar input jack. Both mic/guitar inputs are equipped with V-Limit, a hardware limiter that helps prevent digital clipping from overloaded input signals. With V-Limit enabled, signals can go above zero dB (where limiting kicks in) to as high as +12 dB above zero with no distortion due to digital clipping. Additional protection can be applied to the mic/guitar inputs by enabling the 828mk3's Soft Clip feature, which engages just before clipping occurs and helps reduce perceptible distortion. Digitally controlled analog input trim All of the 828mk3's analog inputs are equipped with digitally controlled analog trim controls that allow adjustments in precise 1 dB increments. The mic/guitar input trims can be adjusted using front- panel digital rotary encoders that provide feedback in the front panel LCD. All analog inputs, including eight TRS analog inputs, can be trimmed using the CueMix FX control software for Mac and Windows. This allows users to fine-tune their trim settings for synths, effects modules and a wide variety of analog inputs for optimum levels. Different trim configurations can then be saved as files on disk for instant recall. CueMix FX software All of the settings in the 828mk3 are accessible from the programmable front-panel backlit LCD. Users can also launch the CueMix FX control software for Mac OS X, Windows XP and Windows Vista. CueMix FX is a completely new software front-end with attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Three separate tabs show inputs, mix busses (eight stereo busses) and outputs. Users click a "Focus" button on any channel or bus to edit its settings in another area on the right-hand side, which provides separate tabs for graphic editing of parametric EQ, compression and other effects. Each channel displays a graphic thumbnail of EQ curves, compressor settings and other channel specific parameters. There is also a section for talkback and listenback. CueMix FX can be operated side by side with any host audio software for Mac or Windows, and it can be controlled from the Mackie Control Universal Pro automated worksurface. Synchronization The 828mk3 is equipped with Direct Digital Synthesis (DDS), a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the 828mk3 is resolved to an external clock source via either word clock or SMPTE time code. The 828mk3 can directly resolve to (or generate) time code via a dedicated quarter-inch time code input and output, without the need for an extra synchronizer. Expansion, Drivers and AudioDesk As with other MOTU FireWire interfaces, the 828mk3 supplies two FireWire jacks so it can be daisy-chained with additional MOTU FireWire audio interfaces or other devices. The 828mk3 is also fully compatible with the 8pre, a single rack MOTU interface that adds 8 mic preamp inputs to the 828mk3. Because the 8pre connects to the 828mk3 via ADAT optical, its mic inputs are fully integrated into the 828mk3's on-board CueMix FX digital mixer. The 828mk3 provides CueMix FX and drivers for Mac (OS X) and Windows (XP and Vista) for cross-platform compatibility with virtually all audio software via WDM/ASIO/Core Audio drivers. The included AudioDesk workstation software for Mac provides 24-bit recording/editing and 32-bit mixing/processing/mastering. MOTU 828mk3 Features: * CueMix FX - 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output * 28 inputs/30 outputs (at 44.1/48 kHz) * Front-panel control - access any setting in your entire 828mk3 mix directly from the front panel * Stand-alone operation * Multiple CueMix FX mixes * Two front panel combo jacks provide hi-Z 1/4" guitar input or low-Z XLR mic input with phantom power * Mic/guitar instrument sends - add outboard effects to the two mic/guitar inputs, before the signal goes digital * Clip protection - Mic/guitar input limiter prevents digital clipping and distortion from overloaded signal levels * Eight 24-bit/192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks * 16 channels of ADAT lightpipe, 8 channels of SMUX (96 kHz) or two pairs of stereo TOSLink * Sample-accurate MIDI * Expandable - add additional interfaces for more I/O as your needs grow * Separate XLR main outs and front-panel headphone jacks, each with independent volume control * Stereo 24-bit 96kHz S/PDIF in/out * Word clock in and out * SMPTE in and out * Includes drivers for Mac & PC, including ASIO, WDM, Wave, GSIF, Core Audio, and Core MIDI * Supports all popular Macintosh and Windows audio software * 100% compatible with all host-based effects processing in today's popular audio programs. * Includes AudioDesk software for the Mac * Plug-and-play operation with your Mac or PC via FireWire * Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available * Two front panel headphone jacks with independent volume controls * Front panel meters or activity LEDs for all analog, digital and MIDI I/O, plus SMPTE sync tach and lock LEDs * Dedicated front panel clock status LEDs

personne ?? ohohkidou

J'aimerais trouver un comparatif mais malheureusement je n'en trouve pas dans cette gamme la. nice forum D-Jay thanks. Mais j'ai pas trouver grand chose a propos des carte de son.

Je suis prêt a investir 700 a 1000$

Je recherche une carte de son semi pro ou totalement professionnelle d'enregistrement utilisation enregistrement guitare vocal piano . Utilisation d'un contrôleur midi! J'ai besoin de recommandation .

Anyway je reste Vert ,mon choix s'arrête sur la gtx 280 . Mais je suis mélanger car toutes les cies que j'ai consulté font plusieurs édition de la cartes.

Tu pourait pt essayer de trouver un controleur(ampli) petit

Bon je vais laisser ma trace, en 2.0 : M-Audio FTW : http://www.m-audio.com/products/en_us/S … -main.html bon choix 1o80B ya aussi sa en 2.0 Klipsch Promedia Ultra 2.0 http://www.lesnumeriques.com/article-33-1137-169.html Check JLB si tu veux investir Odeon cineplex run aik sa et la beaucoup de studio .Mais sort le cash http://www.jbl.com/home/products/category.aspx?CatId=HCS&Language=ENG&Country=FR&Region=EUROPE

Qualité sonore : qualité prix . pour le 2.0 je te conseil sa http://www.sohodiffusion.com/produit.asp?num=9298 Moi j' adore , je suis en appartement et c'est parfais . sa prend moins de place, pas de sub. très discret et c'est du haute gamme il y a une belle finition petit puissant pour la grosseur et bonne qualité Creative GigaWorks T20 ou T40 Il existe bien meilleur mais sort le $$$$ pour le 5.1 ou plus je sais pas je suis jamais informé.

Une prise de courant ??? Signal --------> Ampli ---------> speaker . dance on the floor Ta question Stee : je sais que tu peux brancher un pc sur un ampli ......... le but est de se débarasser de cette ampli donc ma question est existe t-il un truc qui peut convertir une sorti jack stéréo en prise rouge et noir pour speaker? le but est de se débarasser de cette ampli impossible de se débarraser de l 'ampli Sans ampli pas de son POINT FINAL :klem: Oui il existe des fitting pour tes fils noir rouge A jackstéréo 1/8 1/4 comme tu veux. Sauf que Sans ampli pas de son . Quand meme que tu change tes fitting pour pouvoir plugger dans ta carte de son t'aura assé de signal. Le signal des cartes de son pousse seulement assé pour des écouteurs.